One hopes it will finally find the wide audience it deserves.” Hudson’s film should take its place among the great movies about history and about individual citizens living in times of dramatic social change. Seeing it again in the director’s slightly revised version it now strikes me as a masterpiece - profound, poetic and original. The London Observer film critic Philip French writing about the new version said, “Revolution was misunderstood and unjustly treated on its first appearance twenty years ago. The film was a critical and commercial failure at the time however, in 2008 Hudson re-edited the film, giving it a narration by Al Pacino. In 1985 Hudson directed Revolution, which depicted the American War of Independence. It was a success both at the box office and with critics. His next production was Greystoke – The Legend of Tarzan, Lord of the Apes (1984) which received four Oscar nominations, and was Ralph Richardson’s last screen performance, for which he was nominated in the 1984 Oscars as Best Supporting Actor. His friend and colleague Vangelis produced an Academy Award-winning score for the film.
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The film won four Academy Awards, including Best Picture Hudson earned a nomination for Best Director.
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From 1979 to 1980 Hudson directed his most successful feature film, Chariots of Fire (1981), the story of two British track runners, one a devout Christian and the other an ambitious Jew, in the run-up to the 1924 Olympic Games.
DOCUMENTARY LOST CAVES OF ALTAMIRA SERIES
Upon his return to London, Hudson began directing a series of distinguished award winning documentaries until 1970, when he teamed up with Ridley Scott in RSA, London’s leading commercial company.įive years later he founded Hudson Film and turned to feature films. Based on the incredible true story from late nineteenth-century Spain.īritish director Hugh Hudson, best known for his successful film Chariots of Fire, got his start as the head of a London agency casting department and from there became a film editor in Paris. The paintings spark outrage against the family because for the first time, archaeological evidence directly contradicts the historical teachings of the Catholic Church, and launch a debate that would ultimately change the world and takes all their love for each other to find a way through to redemption and recognition. Conchita (Golshifteh Farahani), his wife, doesn’t believe in the legitimacy of the drawings until they draw international acclaim from numerous archaeologists from around the globe. Together, they investigate a local cave called ALTAMIRA and discover ancient paintings of oxen and various examples of human life.
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Maria is a precocious young girl who wants nothing more than to be an archaeologist just like her father Marcelino (Antonio Banderas). Director: Hugh Hudson, 2016, Spain, 97 minutes, Cast: Antonio Banderas, Golshifteh Farahani, Allegra Allen, Rupert Everett